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March 10, 2008

Adjusted for daylight saving time

The cell phone alarm goes off. (Do. Do! Do-do-dee-do! Do. Do! Do-do-dee-do!) I’m lying on my stomach, face mashed into the pillow. It feels as if I've already been half-awake for hours. I reach out to silence the thing: 8:30, it says. And then, too cheerfully: “Adjusted for Daylight Saving Time!” “I know,” I think. “I adjusted you yesterday. Yesterday, when you didn’t bother to adjust yourself, you useless thing. But thanks for the confirmation.” I wonder, for a moment, if this could mean that — but no, my cell phone wouldn’t be that cruel.

The light in the room is strange, too young, but it is, after all, technically earlier than usual. I roll over in bed. No reason to linger here. And so I haul myself out, head to the bathroom, and get ready to face the day. I’m supposed to be to work by 10.

I do all those morning things one does, and at 9:08, by my phone, I step outside. Birds are chirping, and I am bleary. The air feels early — crisper than usual. Everyone headed to the subway is bundled up tight against the cold, half-awake, heads down. I descend to the subway. There’s a smattering of people. Either I just missed a train, or they’re running so regularly that the commuters haven’t had time to accumulate. Excellent. But the Q pulls up, and it’s packed. Strange. Did the people deeper in Brooklyn all oversleep? It’s too early to care.

I step onto the train. It’s shoulder to shoulder all the way to Midtown. I try to peer at people’s watches. They all say different things. At Times Square, a flood of people get off the train. So many people, so many of them running late.

I walk to the coffee cart. “So early!” the lady tells me. “I know,” I say. “It does seem too early. Daylight saving time.” I shrug my shoulders and raise my hands because it seems the thing to do.

I usually get a small coffee, but I decide I need a medium.

I enter the building. A man in a suit precedes me through the security turnstile. And that is all. Odd. There are usually more people here. More people, more casually dressed. The man gets into an elevator — all his own — before I even have time to push a button. I push the button (E, it says). The doors of E bank open immediately, and I step inside. I have the elevator to myself. It goes straight to my floor. I step out and turn the corner. The lights over the first set of cubicles are off, and every desk is empty. I walk past, and the lights, sensing motion, go on overhead.

By now, of course, I already know what has happened. I look at the clock on the first wall: 8:48. I knew, I think, as soon as I woke up. I look at the clock on the next wall: 8:48. I knew, and yet — “Why stay here?” I thought. And so I got to work at 8:48, and sat down at my desk, and began to write.

“Adjusted for daylight saving time.” Twice.

January 20, 2008

New Year's Day 2008


New Year's Day 2008, originally uploaded by jenwahhh!.

December 25, 2007

Not mine ...


IMG_2990.JPG, originally uploaded by jenwahhh!.

... but he's cute, right? That's the nephew. He's going to be a big reader someday.

October 30, 2007

Quote of the day 10.30

From "The Blind Assassin," by Margaret Atwood:

The only way you can write the truth is to assume that what you set down will never be read. Not by any other person, and not even by yourself at some later date. Otherwise you begin excusing yourself. You must see the writing as emerging like a long scroll of ink from the index finger of your right hand; you must see your left hand erasing it.

Impossible, of course.

October 04, 2007

Copy in the raw

Sometimes, the best way to explain why editors exist is to let the unedited words speak for themselves. John McIntyre has a great post over at You Don't Say, demonstrating the ugliness that can go on behind the scenes at a newspaper. A highlight:

"Spring has sprung and besides trying to cope with the pollen attacking your sinuses, the staff at Grassroots Crisis Intervention Center Inc. wants you to be aware of another usual spring ritual: suicides."

You can read the full sampling here.

September 21, 2007

And it's done

Keys_2

Apologies for the blurriness. That's what happens after four hours and a plastic cup of champagne.

September 17, 2007

How not to succeed in business: A true story

Two guys sit at an East Village bar on a Sunday afternoon, one working on his computer, both nursing a beverage and taking in the day's football. An extremely drunken Australian girls walks up to them.

"Are you writing a screenplay?" she says.

"No."

"Well, if you're writing a screenplay, I know who you should cast. Look at this!"

She produces a video device of some sort. Presses play. And proudly shares with these two strangers a movie of herself fellating her boyfriend. (Her boyfriend, who happens to be standing just a bit to her left.) "I'm going to sell this for $2 million."

There are nervous smiles and stunned laughter. Hands are raised in expressions of disbelief. One of the guys takes the camera and says, "Listen, if you really want to make a good movie, you're going to have to work on this lighting." He's an actor.

But wait: Did I miss something? When did this become O.K.? It seems like not too long ago that the discovery of such a home movie would have been cause for much embarrassment among friends. It was not too long ago that celebrities caught in the video act would at least feign mortification (even if they were shouting hallelujahs all the way to the box office). Whole sitcom episodes used to be devoted to this sort of thing. But now? A girl gets drunk, and this? We truly are in a sad, surreal sort of cultural moment.